Mahler and piano are mutually exclusive concepts.Never the twain shall meet.I think Mahler's second would SUCK on piano.
Mahler was actually a virtuoso on the piano, believe it or not. He would play a two piano version of the 2nd Symphony, and shout out directions, instructions, like, "Play this softer!" and a person would be scribbling down these orders on a copy of the symphony. So, Mahler may have had some intentions for piano writing in correlation to the symphony. I have personally worked a little bit on a transcription of the Second Symphony. If it is ever finished, I'll post it a Sibelius Music. It's hard to get the opening tremolos to sound good and be playable at the same time. After this symphony, I might work on the 7th or the 6th, my two favorite symphonies EVER.
That's very, very enlightening. I am aware that the vast majority of composers are also great keyboardists, but I just assumed that Mahler was an exception to this.I also had no idea that his music had its genesis on the keyboard.
If I recall correctly, at some point Mahler stopped composing at the piano, then orchestrating later on. I forget when that happened, but from that point on he composed on three- or four-part staff, thinking orchestrally as he composed. His late works seem singularly un-pianistic to me, might just be my lack of imagination or the fact that I have spent huge chunks of my life listening to the orchestral versions.
Bar 21 seems to be quite impossible to play.
I'm having deja vu. I could have sworn I typed something like this response before. I'm sure there's another Mahler thread like this somewhere on the pf site.