I love Brendel. That being said, people who detest other's opinions or claim the whole topic was anti-Brendel are misled themselves. I enjoyed the tit for tat and lazlo and Ramsey and Forester all did fine jobs defending Brendel. I think the Shub off with comparision of the OP 90 #3 impromptu showed Brendel's 'terp at the top of the heap even though that wasn't the intent of the poster, funny. Horowitz' hands and video didn't even match, and he (or whoever overdubbed the video, probably Horowitz himself in post-prod, even making some weird (pretty as it may be)modulation a few bars into piece) but all that being said, I enjoyed that people feel so strongly one way or the other about Brendel. It's been that way all throughout his career. They haven't caught on to Brendel's many exciting concert performances that are without breathtaking to an unheard of degree before or since, to all this there are sure some duds throughout his years of playing and recording. But he's a human, that's why we love him. And by far, even when his playing is not up to his standards, he'll be the first one to better it the next time, or has that ability to, if you don't think so , or know so, you have to listen to a lot of his recordings. A couple of don't miss interpretations of his , are his live Diabelli Variations, or his HammerKlavier, or his Liszt Sonata or Liszt Concerto's on Philip's. The Mozart-Mariner recording's, forget , never to be bettered, what a sound, what naturalness, as far as his being an intellectual, it takes an intellectual to play with the beauty and understanding he brings to composers who themselves were intellectuals of the highest order, so get over it appearing like an intellectual, that goes with the territory, we've been very fortunate to have heard somebody unlock the beauty and depth of so many pieces and bring major life to them, I haven't heard it in other's playing, never, I really don't mind any miscreant responses, because I pity the fools....