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Topic: Wagner-Tausig Isolde Liebestod  (Read 2426 times)

Offline dnephi

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Wagner-Tausig Isolde Liebestod
on: January 08, 2008, 03:53:11 PM
Anyone have this?  Might be a nice alternative to the Liszt transcription.

Daniel
For us musicians, the music of Beethoven is the pillar of fire and cloud of mist which guided the Israelites through the desert.  (Roughly quoted, Franz Liszt.)

Offline thalbergmad

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Re: Wagner-Tausig Isolde Liebestod
Reply #1 on: January 08, 2008, 08:53:50 PM
An alternative, but not one of his best.

Thal
Curator/Director
Concerto Preservation Society

Offline dnephi

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Re: Wagner-Tausig Isolde Liebestod
Reply #2 on: January 09, 2008, 12:45:25 PM
So not too effective in performance by comparison?
For us musicians, the music of Beethoven is the pillar of fire and cloud of mist which guided the Israelites through the desert.  (Roughly quoted, Franz Liszt.)

Offline thalbergmad

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Re: Wagner-Tausig Isolde Liebestod
Reply #3 on: January 09, 2008, 08:58:37 PM
It probably lacks a decent recording to do it justice.

The Dennis Hennig recording is uneventfully boring. It is longer than the Liszt and is not really a good performance piece.

I would not spend time on it myself, but then again i would stand no chance of playing it.

Thal
Curator/Director
Concerto Preservation Society
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Women and the Chopin Competition: Breaking Barriers in Classical Music

The piano, a sleek monument of polished wood and ivory keys, holds a curious, often paradoxical, position in music history, especially for women. While offering a crucial outlet for female expression in societies where opportunities were often limited, it also became a stage for complex gender dynamics, sometimes subtle, sometimes stark. From drawing-room whispers in the 19th century to the thunderous applause of today’s concert halls, the story of women and the piano is a narrative woven with threads of remarkable progress and stubbornly persistent challenges. Read more
 

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