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Topic: Scriabin 8/12 Alt- Publishing  (Read 3210 times)

Offline dnephi

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Scriabin 8/12 Alt- Publishing
on: March 29, 2008, 01:01:44 PM
I am tryig to find a place where it is published.  Does anyone know what editions publish it?


Thanks.
For us musicians, the music of Beethoven is the pillar of fire and cloud of mist which guided the Israelites through the desert.  (Roughly quoted, Franz Liszt.)
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Offline thalbergmad

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Re: Scriabin 8/12 Alt- Publishing
Reply #1 on: March 29, 2008, 02:20:14 PM
Konemann Music - Budapest.

Thal
Curator/Director
Concerto Preservation Society

Offline pagim

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Re: Scriabin 8/12 Alt- Publishing
Reply #2 on: March 31, 2008, 12:44:49 PM
I got the Complete Preludes and Etudes by Scriabin, Dover Press.

Offline dnephi

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Re: Scriabin 8/12 Alt- Publishing
Reply #3 on: March 31, 2008, 02:01:56 PM
I got the Complete Preludes and Etudes by Scriabin, Dover Press.
And it had the alternate version of 8-12?
For us musicians, the music of Beethoven is the pillar of fire and cloud of mist which guided the Israelites through the desert.  (Roughly quoted, Franz Liszt.)

Offline cherub_rocker1979

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Re: Scriabin 8/12 Alt- Publishing
Reply #4 on: March 31, 2008, 03:24:02 PM
And it had the alternate version of 8-12?

No, it doesn't. 

Which recording do you like?  I like the Stephen Coombs recording.

Offline dnephi

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Re: Scriabin 8/12 Alt- Publishing
Reply #5 on: March 31, 2008, 08:34:34 PM
Beus
For us musicians, the music of Beethoven is the pillar of fire and cloud of mist which guided the Israelites through the desert.  (Roughly quoted, Franz Liszt.)
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Piano Street Magazine:
Toward the Flame: Boris Petrushansky’s Journey Through Scriabin’s Universe

Alexander Scriabin died in April 1915, at forty-three, of a fever that took him within a week — leaving his great mystical project unfinished. He left behind a piano language no one had spoken before, one that a century later still questions every interpreter who approaches it. Boris Petrushansky has spent a lifetime preparing his answer. In a new album and an extended conversation with Piano Street, he traces Scriabin’s path from the early Preludes to the final, shattering Op. 74. Read more
 

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