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Topic: ok? not ok?  (Read 1774 times)

Offline tds

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ok? not ok?
on: May 06, 2008, 06:21:12 AM
3 Sonatas                                                                        Scarlatti

Suberbis                                                                          Mompou       
  El carrer, el guitarrista i el vell cavall
  Gitana I
  Gitana II
  La cegueta
  L'home de l'aristo

Scene d'enfants
  Cris dans la rue
  Jeux sur la plage I
  Jeu II
  Jeu III
  Jeunes filles au jardin

Caprice Espagnole Op. 37                                                  Mozkowsky

                                                   intermission

Asturius                                                                              Albeniz

La soiree dans Grenade                                                     Debussy

Los Requiebros from Goyescas                                            Granados

Caprice Espagnole                                                              Rimsky-Korsakov/Winkler
   Alborada
   Variations
   Alborada
   Scene and Gypsy song
   Asturian Fandango



encore:

Tango                            Albeniz/Godowsky
Alborada del gracioso    Ravel
Danse Rituelle du feu    de Falla
Impresiones intimas I    Mompou
     

   
tds


 
dignity, love and joy.

Offline gerry

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Re: ok? not ok?
Reply #1 on: May 06, 2008, 07:04:02 AM
Not the usual, boring slate of offerings. If it was presented locally, I'd attend.
Durch alle Töne tönet
Im bunten Erdentraum
Ein leiser Ton gezogen
Für den, der heimlich lauschet.

Offline franz_

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Re: ok? not ok?
Reply #2 on: May 06, 2008, 07:20:11 AM
Strange, different, interessesting, and very ok.
Good programm. I sit a concert in Spain, or do you live in Spain?
And do you always chose those composers, or do you also play the 'usual' stuff?
Currently learing:
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- Scriabin: Etude Op. 8 No. 2
- Rachmaninoff: Etude Op. 33 No. 6
- Bach: P&F No 21 WTC I

Offline Kassaa

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Re: ok? not ok?
Reply #3 on: May 06, 2008, 11:38:23 AM
I would make Alborada del Gracioso part of your main program, it's too much work to be just played as an encore, apart from that, for some reason I think an ALL Spanish program will give people headaches, but you obviously want a Spanish themed recital.

How about the complete Miroirs in the first half before the intermission, omitting the  Scene de enfants and Caprice, and as the last piece a Liszt Spanish-themed piece (could be the Spanish Rhapsody, doesn't have to). Liszt has a huge Concert-Fantasie on Spanish themes (19 minutes), and a nice Rondo Fantastique on El Contrabandista (10 minutes) for a softer ending, his Feuille Morte (10 minutes) is absolutely wonderful.

Offline dnephi

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Re: ok? not ok?
Reply #4 on: May 06, 2008, 11:55:55 AM
Do you think that you can pull off such a lengthy and demanding program?  Have you given recitals before?  If you are limited in such experience, I would recommend choosing a shorter program.  I wish you the best of luck, whatever you do.

To comment on the program itself, there seems to be so many smaller pieces that the program loses a bit of continuity.  Again, a shorter recital would justify the choice of a number of smaller works.

Daniel
For us musicians, the music of Beethoven is the pillar of fire and cloud of mist which guided the Israelites through the desert.  (Roughly quoted, Franz Liszt.)

Offline Bob

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Re: ok? not ok?
Reply #5 on: May 06, 2008, 12:40:12 PM
But I don't see any John Williams in there... so....


Looks interesting.  Some composers I know.  Some new.  It would be a different concert for sure. 

Why just the one movement from the Debussy though?  I suppose the breaking up of works makes me wonder a little.
Favorite new teacher quote -- "You found the only possible wrong answer."

Offline tds

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Re: ok? not ok?
Reply #6 on: May 06, 2008, 01:45:03 PM
Not the usual, boring slate of offerings. If it was presented locally, I'd attend.

Strange, different, interessesting, and very ok.
Good programm. I sit a concert in Spain, or do you live in Spain?
And do you always chose those composers, or do you also play the 'usual' stuff?

thanks for the inputs. i play the usual stuff also.


I would make Alborada del Gracioso part of your main program, it's too much work to be just played as an encore, apart from that, for some reason I think an ALL Spanish program will give people headaches, but you obviously want a Spanish themed recital.

How about the complete Miroirs in the first half before the intermission, omitting the  Scene de enfants and Caprice, and as the last piece a Liszt Spanish-themed piece (could be the Spanish Rhapsody, doesn't have to). Liszt has a huge Concert-Fantasie on Spanish themes (19 minutes), and a nice Rondo Fantastique on El Contrabandista (10 minutes) for a softer ending, his Feuille Morte (10 minutes) is absolutely wonderful.

re. all spanish music and headaches: hah! :D honestly, i have thought of that too. but i need now opinions from more people concerning this matter. people?

so the whole miroirs, huh? not certain about liszt for the time being, tho thanks for the recommendation as i might use it for future reference.

what do you think of this new construction:

3 Sonatas                                                                        Scarlatti

Mirroirs                                                                             Ravel
    Noctuelles
    Oiseaux tristes
    Une barque sur l'océan
    Alborada del gracioso
    La vallée des cloches

                                                   intermission

Suburbis                                                                           Mompou       
  El carrer, el guitarrista i el vell cavall
  Gitana I
  Gitana II
  La cegueta
  L'home de l'aristo

Danse Rituelle du feu                                                        de Falla

Caprice Espagnole                                                            Rimsky-Korsakov/Winkler
   Alborada
   Variations
   Alborada
   Scene and Gypsy song
   Asturian Fandango



Do you think that you can pull off such a lengthy and demanding program?  Have you given recitals before? 

dnephi, its a normal recital program in terms of length and difficulty. yes

I wish you the best of luck, whatever you do.

To comment on the program itself, there seems to be so many smaller pieces that the program loses a bit of continuity.  Again, a shorter recital would justify the choice of a number of smaller works.


thank you. what do you think of the 2nd option above?


But I don't see any John Williams in there... so....


Looks interesting.  Some composers I know.  Some new.  It would be a different concert for sure. 

Why just the one movement from the Debussy though?  I suppose the breaking up of works makes me wonder a little.

john williams? haha ;D..maybe for later programming, i was initially thinking of a spanish program, bob. thats why i dragged la siree dans grenade from the set...

tds
dignity, love and joy.

Offline thalbergmad

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Re: ok? not ok?
Reply #7 on: May 06, 2008, 10:19:40 PM
I would love to hear the Winkler/Rimsky Korsakov.

It remains unrecorded to my knowledge.

Thal
Curator/Director
Concerto Preservation Society

Offline tds

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Re: ok? not ok?
Reply #8 on: May 07, 2008, 04:59:48 AM
I would love to hear the Winkler/Rimsky Korsakov.

It remains unrecorded to my knowledge.

Thal

i'll sure play it in my concert, and i promise i'll post the recording of it. tds
dignity, love and joy.

Offline thalbergmad

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Re: ok? not ok?
Reply #9 on: May 07, 2008, 03:11:13 PM
Nice one old chap.

Thal
Curator/Director
Concerto Preservation Society

Offline dan101

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Re: ok? not ok?
Reply #10 on: May 08, 2008, 01:05:27 PM
Interesting program. I'd go. Good luck.
Daniel E. Friedman, owner of www.musicmasterstudios.com[/url]
You CAN learn to play the piano and compose in a fun and effective way.

Offline franz_

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Re: ok? not ok?
Reply #11 on: May 08, 2008, 02:13:06 PM
Where do you study?
Currently learing:
- Chopin: Ballade No.3
- Scriabin: Etude Op. 8 No. 2
- Rachmaninoff: Etude Op. 33 No. 6
- Bach: P&F No 21 WTC I
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