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Toward the Flame: Boris Petrushansky’s Journey Through Scriabin’s Universe

Alexander Scriabin died in April 1915, at forty-three, of a fever that took him within a week — leaving his great mystical project unfinished. He left behind a piano language no one had spoken before, one that a century later still questions every interpreter who approaches it. Boris Petrushansky has spent a lifetime preparing his answer. In a new album and an extended conversation with Piano Street, he traces Scriabin’s path from the early Preludes to the final, shattering Op. 74. Read more

Topic: Bortkiewicz, Prelude, Op. 33, No. 6 in C#m  (Read 5258 times)

Offline rachfan

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Bortkiewicz, Prelude, Op. 33, No. 6 in C#m
on: May 19, 2008, 07:33:51 PM
The set of Preludes Op. 33 was composed by Sergei Bortkiewicz while he resided in Vienna and was published by D. Rahter in 1926.  Prelude No. 6 has a very dark beauty to it.  Yet it seems filled with angst and sorrow, and even seems funereal.  The piece ends on two very low notes of irrevocable finality--like the sound of doom.

Comments welcome.

Piano: Baldwin Model L Artist Grand (6'3")

Recorder: Korg MR-1000 DSD

Mics: Nakamichi small diaphragm MD-300 electret condenser mics with omni-directional capsules.  Mics were placed in A-B configuration.


Previous downloads on original recording: 15
Interpreting music means exploring the promise of the potential of possibilities.

Offline Essyne

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Re: Bortkiewicz, Prelude, Op. 33, No. 6 in C#m
Reply #1 on: May 19, 2008, 07:45:23 PM
I enjoyed it immensely.

Do not remove it.

~Essy~
"A bird does not sing because it has an answer. It sings because it has a song."
                                                 - Chinese Proverb -
 

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