I had to work it up for a master class course.I'd never want to perform it. I think it's failed Beethoven. His strivings for profundity, in my very humble opinion, fall short of his stretch. The pretentious Adagio overstays its welcome and the fugue is a gigantic, convoluted pain in the ass. Beethoven achieved supreme summits of inspiration that I could only dream of. But the Hammerklavier is not one of those summits. It's an inflated, bloated monster of a sonata that fails as often as it succeeds. Give me 101, 109, 110, 111. Perfection.I'm sooo over the Hammerklavier.
I love this sonata. It's my favorite Beethoven sonata. But it is so massive and rich I don't actually listen to it often. But when I do it's quite an experience. I've never tried to play it however. But I imagine learning it would either spoil its magic or make you appreciate it even more... hard to say really.
The Hammerklavier needs to be played perfectly or not at all..
wow, how interesting to hear such suggestion from you.
Your comment is meaningless. Be specific. If your are referring to flaws in presented performances at the audition room. I'll tell you what....you invest in a $15 mic plug it into your laptop, download some free audacity software, hit RECORD and show me "how to play" - one take, no accoustics.Otherwise SHUT YOUR BIG MOUTH!
don't you think you're a bit rude ?