Piano Forum

Piano Street Magazine:
A New Kind of Piano Competition

Do piano competitions still provide a fair foundation for a complete musician? As formats evolve beyond prize money, Ralf Gothóni, creator of a new piano competition in Shanghai, shares his perspective. Read more

Topic: best chromatic scales fingering  (Read 23031 times)

Offline fredericfrancoischopin

  • PS Silver Member
  • Jr. Member
  • ***
  • Posts: 89
best chromatic scales fingering
on: August 23, 2008, 08:31:37 PM
please do you  know whats best for really fast chromatic scales than say it:)

Bernard
currently learning:

Mussorgsky: Pictures at one exhibition suite
Beethoven: -Sonata "Grande sonate Pathetique"Ecossaisen,The turkish march,
Sgambati:Melody from Orfeo
Chopin: f.i-lp

Offline Bob

  • PS Silver Member
  • Sr. Member
  • ***
  • Posts: 16373
Re: best chromatic scales fingering
Reply #1 on: August 23, 2008, 10:12:29 PM
1 and 3 and then add in 2 on the "inner" side of the cluster of black keys, depending on the hand.  So thumb on white, 3 on black.  2 would be on C and F for RH;  B and E for LH.
Favorite new teacher quote -- "You found the only possible wrong answer."

Offline pianisten1989

  • PS Silver Member
  • Sr. Member
  • ***
  • Posts: 1515
Re: best chromatic scales fingering
Reply #2 on: August 30, 2008, 12:05:37 PM
Start on C:
(1) 3 1 3 1 2 3 1 2 3 4 1 2(C) 3 1....
I play it like that when it supposed to go really fast

Offline eastman_grad

  • PS Silver Member
  • Newbie
  • ***
  • Posts: 24
Re: best chromatic scales fingering
Reply #3 on: August 30, 2008, 04:10:28 PM
The best fingering I ever cam across, and several were offered to me, is as follows: simply alternate between groups of 3 and 4. So, a two-octave chromatic scale beginning on C, in the right hand, would be: UP 1-2-3-4-1-2-3-1-2-3-4-1-2-3-1-2-3-1-2-3-4-1-2-3-4

Offline bernhard

  • PS Silver Member
  • Sr. Member
  • ***
  • Posts: 5078
Re: best chromatic scales fingering
Reply #4 on: August 31, 2008, 04:15:43 AM
The music business is a cruel and shallow money trench, a long plastic hallway where thieves and pimps run free, and good men die like dogs. There's also a negative side. (Hunter Thompson)
For more information about this topic, click search below!

Piano Street Magazine:
“The Sound Always Comes First” — Andrea Bonatta on Teaching Liszt

Why tone matters more than speed, why reading Goethe matters as much as practising octaves, and how a single insight can transform a performance. Italian pianist and scholar Andrea Bonatta has spent decades exploring the contradictions of Franz Liszt, from performer to man of faith, virtuoso to poet. Here, in conversation with Piano Street at Liszt Utrecht 2026, he shares his vision. Read more
 

Logo light pianostreet.com - the website for classical pianists, piano teachers, students and piano music enthusiasts.

Subscribe for unlimited access

Sign up

Follow us

Piano Street Digicert
Customer Reviews