Why, oh why, do you keep saying that he lacks in the emotional parts?!Emotional doesn't nessesary mean to do huge ritardandos, take time on all notes and stuff like that. It can also be dynamical changes, and some "breaks". Listen more carfully, and stop have this "well, he played that piece without emotion when he was 12... and everyone else says he lacks of emotion, so he probably do"-thingListen to, for example, Rage over a lost penny. I think he is great, even though I haven't heard a lot of his playing.
valentina lisitsa is up there with him technically( an incredabile pianist)..
Basically Kissin has the technique to do most anything, but as others have said he often lacks expression. I think that the reader's opinion of him ultimately depends what they want to see in a performance: "Wow, he is really good" versus "wow, I really like the way he captured that piece", where a great performance would ideally combine both of those. I'm not saying that Kissin is a total show-off and lacks all capacity for dynamics, but if he could show more emotion in his music I would probably like him more. Would I go to see him in concert? Maybe.I haven't watched any of his Liszt interpretations other than La Campanella, and I think that he plays that well. I would rate it above Yundi Li's, because I don't like the way Li played the broken chords, and behind Rubinstein's.