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Topic: Chopin and Beethoven - good companions in concert?  (Read 3720 times)

Offline bachobev

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Chopin and Beethoven - good companions in concert?
on: December 23, 2008, 05:48:12 AM

Hi guys, i just want your opinion on this. There's a talent show coming up and I'd like to play 2 pieces for a total length of about 10 min.

Do you think Chopin Etude 10 no 1 and Beethoven Moonlight's 3rd movement would go well together ? one thing that bugs me is that they are both very fast. Perhaps having a "relaxed" tempo piece with either of these two is more convenient?

Cheers
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Offline imbetter

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Re: Chopin and Beethoven - good companions in concert?
Reply #1 on: December 23, 2008, 01:50:54 PM
they beethovens a good one but i'd do a more lyrical piece of chopin to set up for the beethoven such as op.10 no.3 for example.
"My advice to young musicians: Quit music! There is no choice. It has to be a calling, and even if it is and you think there's a choice, there is no choice"-Vladimir Feltsman

Offline asharpminor

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Re: Chopin and Beethoven - good companions in concert?
Reply #2 on: July 29, 2009, 06:09:55 AM
Actually, after reading your comment I played both of them at once, having both of them saved on my computer in MIDI and mp3 format. They actually, in most parts, compliment each other quite nicely.

Offline asharpminor

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Re: Chopin and Beethoven - good companions in concert?
Reply #3 on: July 29, 2009, 06:16:57 AM
What I mean is if they are played at the same time, and sound good, then apart they should do fine.

Offline birba

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Re: Chopin and Beethoven - good companions in concert?
Reply #4 on: July 29, 2009, 06:24:06 AM
Why would you want to play the third movement only?!  If you want something fast and brilliant, do the rondò!

Offline artsyalchemist

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Re: Chopin and Beethoven - good companions in concert?
Reply #5 on: July 31, 2009, 02:53:53 PM
Maybe do the second as well as the third movement.  That would make it flow a little better personally.
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Legendary pianist Maurizio Pollini defined modern piano playing through a combination of virtuosity of the highest degree, a complete sense of musical purpose and commitment that works in complete control of the virtuosity. His passing was announced by Milan’s La Scala opera house on March 23. Read more
 

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