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Toward the Flame: Boris Petrushansky’s Journey Through Scriabin’s Universe
Alexander Scriabin died in April 1915, at forty-three, of a fever that took him within a week — leaving his great mystical project unfinished. He left behind a piano language no one had spoken before, one that a century later still questions every interpreter who approaches it. Boris Petrushansky has spent a lifetime preparing his answer. In a new album and an extended conversation with Piano Street, he traces Scriabin’s path from the early Preludes to the final, shattering Op. 74. Read more
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Topic: Comments about Sonata 17 (The Tempest), opus 31 no 2?  (Read 1546 times)

Offline sss3d

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Comments about Sonata 17 (The Tempest), opus 31 no 2?
on: December 25, 2008, 04:23:18 PM
I saw Kit Armstrong play:
"Sonata 17 (The Tempest), opus 31 no 2"

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He plays it really well with a lot of emotion. 

It doesn't seem like a hard song but it requires a lot of feeling in order to play it.

Any comments on this song?  Is it easy is it hard?  What is required to make it sound good?
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