I know that I am just a 15 year old guy who composes for himself.
THen all a sudden then I am starting to compose a symphony titled "Tsubasa"
For more INformation then proceed to this website and I am loonbohol.
https://www.pianostreet.com/smf/index.php/topic,32882.0.htmlI am not sure what will happen if Even If I did not intend anything about composing in the way Kajiura will compose.
My composition sounded like Kajiura Yuki's Compositions!?
Of course I only do compose for as a Hobbby.
I did not have Kajiurian Ominous Chants on it but the european motifs and the melody of the composition itself are the one Distinction that it would really sound Kajiura.
We'll As you can see,Her compositional skills are trademarked so I compose and throw my compositions on the trashcan
because they seem so Kajiura.
As a proof that her compositional ways are trademarked check this website.
https://en.wikipedia.org/wiki/KajiuraYes, Even if There are no violin solos or chanting and minus the pop beat.
THere is no way out! I will get sued into court if I do not change my tone.
I also have self-performed piano solos because I myself is a pianinst and My hardest piano piece I ever Performed was Chopin Etude Opus 25 No. 11
(Go to Youtube so that you can here how It sounds LIke).
European compositions and European styles are eminent in everyone.
I do not have European Chants nor Chanting in my symphony.
Beethoven Have Violin Solos in the middle of her compositions.
Yet I do not have any.
I certainly do not want to post the composition here since Kajiura will kill me and I am trying my best to find the right software to encode my Orchestra.
But If there is a fine line on Kajiura's composition and my composition titled "Tsubasa Symphony" well It is the melody itself.
Even just listening on it will give an Kajiurian Athmosphere.
I do not understand even If my compositions are the opposite of her trademark
does not affect the athmosphere.
THe same thing as Beethoven playing Ode to Joy which is at C-major do not affect the aura and Athmosphere.