i've changed the fingering to 315 415 215 215 215 215 214 315i find ur 315 to 215 is very......uncomfortable, but the rest is fine.
What do you mean by this is not a fingering etude? Technique is fingering as Liszt says. I would like to see what fingering you suggest exactly. You do not play the 2nd triplet in isolation with those fingers. In fact the fingers encourage a grouping of 6 semiquaver notes in one movement of the hand.(315 415) (215 315 215) (315 214 315)That is the movement groups how I feel them when I play so the bar is controlled by three positions/movements of the hand, which is quite efficient. As a method of practice one can play each of these groups fast and pause in between each to acquire muscular memory.
I don't know what it means, technique is fingering. What fingering will help you to play the octaves in the Liszt sonata, or the Schubert a minor?
There are many spots where it is impossible to connect with fingering alone, thus showing that his aim was to activate the upper arms.
thanks for the informative debate.so i already got michael's and lostwonder's fingering.but what about ramsey? how do u do this?thanks again.
Although it's possible to use 3 on the first note, for me really the only functional fingering is the most obvious: 2-1-5 on all of the triplets that involve octaves.