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Well, I've been doing that for a while, but I'll keep on trying. Thanks for your encouragement, go123. (I bet you're an inspiring teacher.)
Whoa, thanks for this, tds. Zimerman is one of my all-time favorites and if my eyes don't deceive me, he's using 1/3 and 2/4 on those trills. Yes? That's been my alternative option and it's been going better than the 5/1 contortionist thing.
To me it's only contortionist if I use 5/1 for a#and c double #. I think that the edition suggests implicitely that you start the trill from the upper note. Which Zimerman does not do, as far as I can see.
Duh! Hello!! Wolfi, you're a genius! Thanks. That's the key. The #@*&$! double trill starts from the UPPER NOTE.Eureka!!(As Bugs Bunny would say, "I'm such a maroon.")Now I can die in peace. Phew.
In bar 23. Those #@$%# double trills. (They reoccur, of course, but this one bar is illustrative of the problem.) Editorial suggestion (maybe Chopin's, for all I know) is 5/1 alternating with 4/2. Next #$@# trill chain is 5/1 alternating with 3/2.