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Wagner’s Universe in a Pianist’s Hands

One of the most thrilling performances offered at Cremona Musica this year was the Wagner by Liszt recital given by Filippo Tenisci – Italian pianist, born 1998 and celebrated for his refined interpretations and expressive mastery of the Romantic repertoire. After his recital we got the chance talking to Tenici about his Wagner/Liszt project. Read more

Topic: Classical Piano Concertos for Grade 6-8  (Read 5840 times)

Offline cai hong

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Classical Piano Concertos for Grade 6-8
on: March 23, 2009, 02:38:57 PM
Any suggestions for it? My piano teacher told me to search for them so me and my friends could learn how to play concertos. She said the composer would be Haydn, Beethoven, or Mozart. Thanks for helping, sorry for my bad English before. Hope to hear from you soon.


Best regards, Cai
dignity, love and joy... nyoo.

Offline concerto_love

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Re: Classical Piano Concertos for Grade 6-8
Reply #1 on: March 23, 2009, 02:44:30 PM
Mozart no.1,9, or 20?  ???
Since you said that you doesn't like Haydn in D, why don't you try the other one in G?  ;D
when dignity, love, and joy meet...

OMG, it's spa time!!! ;D

Offline thalbergmad

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Re: Classical Piano Concertos for Grade 6-8
Reply #2 on: March 23, 2009, 05:35:22 PM
Reichardt is probably your best bet. Not a million miles different from the Haydn, but just as easy. Alternatively, Avison or Arne would be good substitutes.

Some are still in print and available from Schott's.

Thal
Curator/Director
Concerto Preservation Society

Offline quantum

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Re: Classical Piano Concertos for Grade 6-8
Reply #3 on: March 24, 2009, 04:42:38 PM
There is a running thread on Pianophilia for easy piano concertos
Made a Liszt. Need new Handel's for Soler panel & Alkan foil. Will Faure Stein on the way to pick up Mendels' sohn. Josquin get Wolfgangs Schu with Clara. Gone Chopin, I'll be Bach
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Alexander Scriabin died in April 1915, at forty-three, of a fever that took him within a week — leaving his great mystical project unfinished. He left behind a piano language no one had spoken before, one that a century later still questions every interpreter who approaches it. Boris Petrushansky has spent a lifetime preparing his answer. In a new album and an extended conversation with Piano Street, he traces Scriabin’s path from the early Preludes to the final, shattering Op. 74. Read more
 

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