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For those of us who spend our lives on the bench — whether teaching, practicing for a recital, or simply playing for the love of it – the piano has always been a singular concept: wood, felt, strings, and soul. Yet, recent global market reports reveal that the definition of our instrument is expanding and evolving in ways that affect us all. Read more

Topic: To see or not to see?  (Read 1719 times)

Offline mrba1979

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To see or not to see?
on: April 19, 2009, 04:03:45 PM
Does watching yourself play during a performance help or hinder?



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Offline allthumbs

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Re: To see or not to see?
Reply #1 on: April 19, 2009, 06:04:55 PM
Does watching yourself play during a performance help or hinder?

Do you mean like when you are having an 'out of body experience' during the performance? :o ;D
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Offline go12_3

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Re: To see or not to see?
Reply #2 on: April 19, 2009, 07:23:29 PM
mrba1979:  do you mean watching a video of your performance?   It may help perhaps to hear your piece and watch how your hands are doing, but I don't know because I never did a video of my playing. 

best wishes,

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Offline shingo

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Re: To see or not to see?
Reply #3 on: April 19, 2009, 07:45:14 PM
Do you mean watching/looking at your hands whilst you play?

Offline mrba1979

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Re: To see or not to see?
Reply #4 on: April 20, 2009, 02:19:06 AM
Do you mean watching/looking at your hands whilst you play?

Yes.  I was just wondering.  Not in the sense WOW look what my hands can do, but do you need to look in order to play.  In pieces where my hands are not all over the keyboard I can play with out looking at them.  However in pieces where large blocks of chords have me all over the place I tend to look involuntarily where my hands are headed.  When watching the professionals I can never really tell what their eyes are doing.  Technique wise is this important.
I am no longer fighting my inner demons.  We are now all on the same side.
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The Complete Piano Works of 16 Composers

Piano Street’s digital sheet music library is constantly growing. With the additions made during the past months, we now offer the complete solo piano works by sixteen of the most famous Classical, Romantic and Impressionist composers in the web’s most pianist friendly user interface. Read more
 

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