Objectively speaking Haydn does function as a major classical work. Somehow I am uninspired in general by this collection of pieces, they don't seem to go together well at all. I am tempted to ask, why do you want to do a DMA? I'm not getting a strong sense of who you are, based on this program.
For one thing, these are all in minor keys. That doesn't bode well for contrast. For another thing, except for the sonata, they are all about the same length. It gives a slight impression of blandness. I don't say that to be mean, but I just don't feel inspired by the choices.
What are the requirements for your audition?
Walter Ramsey
I want a DMA for the same reasons other people want them - to have a greater chance of teaching at the university level and hopefully make more money, as well to continue to grow as an artist. I love performing and I hope to be able to do that as much as possible. Right now I'm finishing my MM in Performance at UNC-Greensboro. My teacher is John Salmon, he has some Brubeck and Kapustin CDs on the Naxos label. Here's myspace:
https://www.myspace.com/raulmanjarrezI might learn Schubert's D. 664 Sonata and use that instead of the Haydn. I absolutely adore the Chopin and the Scriabin, so changing those is absolutely non-negotiable.
My new proposed program looks like this:
Schubert Sonata D. 664
Chopin Polonaise
Scriabin Fantasy
Brubeck Glances - it's a 4 movement suite that lasts approximately 14 minutes, one of Brubeck's 'serious' piano works
And if they want some Bach, then Prelude and Fugue in G-sharp Minor from Book 1
Be sure to check out my MM recital in the Audition Room! I posted it recently.