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Topic: Two Drips  (Read 3478 times)

Offline pianowolfi

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Two Drips
on: May 31, 2009, 06:17:52 PM
This is my second live improv recorded on video, it's from today.





It's strange to watch myself, it feels completely differently from inside of me  ;D. But okay, that's interesting about the new technologies...

Offline chopinatic

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Re: Two Drips
Reply #1 on: May 31, 2009, 06:23:35 PM
Its nice seeing a video instead of recordings.

I thought this was very eery and spooky, kinda reminded me of an old 60's - 80's horror movie.
Kept wanting to look behind me!!!!

Good stuff

Offline bullitosaladino

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Re: Two Drips
Reply #2 on: June 05, 2009, 06:56:53 PM
I really thought this was a great improvisation!

Offline pianowolfi

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Re: Two Drips
Reply #3 on: June 05, 2009, 07:28:08 PM
Thanks :)

As for spooky, I think I have done spookier things before. But I don't mind, perceptions can differ :)

Offline furtwaengler

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Re: Two Drips
Reply #4 on: June 05, 2009, 07:52:16 PM
I had thought I commented on this but it must have only been in my mind (how often do I do that?).

I love this improv, and indeed, the title. I love the idea of music dripping and of splashes of music. This is very tasteful and comfortably fit in its special language, a tongue I feel accustomed to knowing, but even it is the voice of Pianowolfi. It drips and I love it. It is also this great combination of the spontaneous and the secure...secure spontaneity. Although I would wish to reproduce it, it is so comfortable in what it is and can only be, a cool spring from your mind, which you've kindly shared with us.
Don't let anyone know where you tie your goat.

Offline pianowolfi

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Re: Two Drips
Reply #5 on: June 05, 2009, 08:02:53 PM
I had thought I commented on this but it must have only been in my mind (how often do I do that?).

I love this improv, and indeed, the title. I love the idea of music dripping and of splashes of music. This is very tasteful and comfortably fit in its special language, a tongue I feel accustomed to knowing, but even it is the voice of Pianowolfi. It drips and I love it. It is also this great combination of the spontaneous and the secure...secure spontaneity. Although I would wish to reproduce it, it is so comfortable in what it is and can only be, a cool spring from your mind, which you've kindly shared with us.


Furtwängler, sometimes I'm asking myself if you are a writer or a musician. Sometimes I think you are both :)

Thank you for recognizing and noticing so many things...

 :)



Offline go12_3

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Re: Two Drips
Reply #6 on: June 06, 2009, 03:31:51 AM
Wolfi,   I find this improv very reflective.....I hear the drops steadily throughout the improv.
Very contemporary with the harmonies.  I like it very much.  You keep doing those improvs,

best wishes,

go12_3
Yesterday was the day that passed,
Today is the day I live and love,Tomorrow is day of hope and promises...

Offline pianowolfi

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Re: Two Drips
Reply #7 on: June 06, 2009, 09:45:49 PM
Wolfi,   I find this improv very reflective.....I hear the drops steadily throughout the improv.
Very contemporary with the harmonies.  I like it very much.  You keep doing those improvs,

best wishes,

go12_3

Hi go, thank you :) Sure I keep doing...nothing can stop me  8)

Offline goldentone

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Re: Two Drips
Reply #8 on: June 09, 2009, 06:54:55 AM
I like how you wrap it up in the coda, the last minute.  A most satisfying summing up.  It slakes the musical thirst.

It's nice to see your Steinway. :)  You look sharp in the jacket, Wolfi.
He was not of an age, but for all time.

Offline pianowolfi

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Re: Two Drips
Reply #9 on: June 09, 2009, 08:51:36 AM
Hi Goldy, thanks :)
I like how you wrap it up in the coda, the last minute.  A most satisfying summing up.  It slakes the musical thirst.

Sometimes it's just a drop in the bucket yet..
Quote
It's nice to see your Steinway. :) 

It's a New York, as you can see, but it has Hamburg hammers. But New York shafts. Quite a combination. Hamburg Steinways are quite unaffordable here...

Offline furtwaengler

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Re: Two Drips
Reply #10 on: March 21, 2010, 08:40:02 PM
Wolfi, I'm listening again to your improvisation (composition?), Two Drips. It is one of my favorites. I now hear strands of ideas connecting it with Rachmaninov's great D minor sonata, and hinting at the complexity of the Russian futurists, but all comfortable in a certain, specific range of dynamics and expression. In the end it is perfectly Pianowolfi in the best sense, and it's a world I'm very comfortable in. Such things need to be visited more often. I wish I had it as a file I could burn on CD and take with me :). Is this one you have notated or have thought to include on one of your programs?
Don't let anyone know where you tie your goat.

Offline pianowolfi

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Re: Two Drips
Reply #11 on: March 21, 2010, 09:27:08 PM
Wolfi, I'm listening again to your improvisation (composition?), Two Drips. It is one of my favorites. I now hear strands of ideas connecting it with Rachmaninov's great D minor sonata, and hinting at the complexity of the Russian futurists, but all comfortable in a certain, specific range of dynamics and expression. In the end it is perfectly Pianowolfi in the best sense, and it's a world I'm very comfortable in. Such things need to be visited more often. I wish I had it as a file I could burn on CD and take with me :). Is this one you have notated or have thought to include on one of your programs?

Hi Furtwängler, I think I have it as an audio file too, I need to search a bit. Actually this is something I thought would rather stay an improv. It seems to me a bit meandering between what I call "Barcelona style" (which started when I was in that city watching a Miro painting and "improvising on it" afterwards), a very floating unearthy style, and the more grounded later style of a future project "Steps". I think it is a "listening improv etude" in the sense that I listen to somewhere far out or deep inside and try to catch what I listen, or feel, in parts of a second.
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Piano Street Magazine:
Women and the Chopin Competition: Breaking Barriers in Classical Music

The piano, a sleek monument of polished wood and ivory keys, holds a curious, often paradoxical, position in music history, especially for women. While offering a crucial outlet for female expression in societies where opportunities were often limited, it also became a stage for complex gender dynamics, sometimes subtle, sometimes stark. From drawing-room whispers in the 19th century to the thunderous applause of today’s concert halls, the story of women and the piano is a narrative woven with threads of remarkable progress and stubbornly persistent challenges. Read more
 

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