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The World of Piano Competitions – issue 2 2025

The World of Piano Competitions magazine is a well-established reference for anyone seeking a deeper understanding of today’s international classical piano landscape. In this new issue, Chopin stands at the centre — not merely as the focus of a competition, but as a celebration of a unique musical legacy. Read more

Topic: The young Pletnev  (Read 2256 times)

Offline cloches_de_geneve

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The young Pletnev
on: June 27, 2009, 10:01:01 PM
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A bit like Horowitz, only better.
"It's true that I've driven through a number of red lights on occasion, but on the other hand I've stopped at a lot of green ones but never gotten credit for it." -- Glenn Gould
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Offline minor9th

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Re: The young Pletnev
Reply #1 on: June 28, 2009, 04:40:59 PM
In what sense is it "better"? It's very, very good, but IMO, Horowitz's version is yet more demonic and has more dramatic flair.

Offline cloches_de_geneve

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Re: The young Pletnev
Reply #2 on: June 28, 2009, 05:24:05 PM
Pletnev's genius is not so much in the fast parts, as uniquely wild and controlled as they are. It's what happens around 2:20, where, within a couple of seconds, he's like stopping the flow time and you have no clue where the music goes. Total suspense.

Of course most of us know how the music will go on, but it is as if he managed to erase our memories, creating the illusion that we are in uncharted territory.

Here he used this charm very cautiously, but later on the suspense in his concerts could be almost unbearable. Horowitz had this quality as well, but not to the same extent IMO.
"It's true that I've driven through a number of red lights on occasion, but on the other hand I've stopped at a lot of green ones but never gotten credit for it." -- Glenn Gould
 

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