Thanks for the information. How do you think they compare with Yamaha, both in terms of price and quality?
hmm it's really a question i think (and please i'm no 'expert' or 'guru' just a guy with a pretty decent ear and lots of experience playing many different models all over the price range) of where in the yamaha line up you are looking, and where in the nordiska line we are looking. Yamahas are produced in at least four different plants, Hamamatsu, Japan
Thomaston, Georgia
South Haven, Michigan
Jakarta, Indonesia ,
perhaps more for other markets?, Price wise you'll pay more overall for the yamaha stamp. I think the best of the lot will come from Hamamatsu. They are really in different markets both price, quality, etc. Yamaha being higher up the pecking order (though if I were going japanese i really like the kawai rx black series over standard yamaha, i have not played the rebadged kemble grands which are yamahs c2s with different inards and more voicing and such to get a less 'asian/bright' sound out of them, my gut tells me i would probably like those A LOT)
To the best of my knowledge you'll only find used or 'new old stock' Nordiskas and quality all over the place depending when it came out of Dongbei, the later ones tended to be much better overall. Again the 7 footer

and 9 footer are different stories alltogether, these were (and are if you can find one) incredible instruments for the money and I think you'll get more piano for your money this route but you have to do your homework assuming you can find some.
Still if your budget is tight and you're looking an indonesian yamaha, I really think even a standard nordiska grand should be considered again since they tend to really have a lovely full tone and, although less important, they were quite pretty with the bosendorfer copperish plate colors, again this is mainly on the dollar savings point since we're in not in the 'new' market, i think chinese new the hailun kids have that down pretty tight.
i would have a very competent tech on board, even mine had its share of asian demons we had to exorcise bit by bit and occassionally i still have a small issue or two but for the money and why i use it (primary practice not a living room show piece or performance and recording instrument). it's fine.
to further complicate matter is the fact that dongbei which made the nordiska grands is now where the chinese baldwins are coming out of and i have not had a personal chance to play on these (I usually wait till i have a significant solo work or two down before going in so I can really put the instrument to the test rather than just plinkering around). i think if you're considering chinese the chinese baldwin is probably pretty good considering the plant it is coming from, the financial backing from gibson and the fact that overall quality was always on up and up over there and many of the same builders are probably still there (unless they were stolen away by the hailun gang)