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Scriabin Etude op.42 no.5
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Topic: Scriabin Etude op.42 no.5
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dough_mouse
PS Silver Member
Jr. Member
Posts: 60
Scriabin Etude op.42 no.5
on: September 29, 2009, 09:23:26 PM
The tension I get in my hands when playing this piece is KILLING me. Starting with the repetition of the theme including the extra sixteenths on the right, the tension in my wrists/hands starts building, and as much as I try to stay loose, by the time I'm halfway the piece through my hands are so tense it affects my playing. Any advice on how to stay loose?
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Doughnut Disturb.
Scriabin: Etude Op. 42 No. 5 in C-sharp Minor
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imbetter
PS Silver Member
Sr. Member
Posts: 1264
Re: Scriabin Etude op.42 no.5
Reply #1 on: September 30, 2009, 12:35:33 AM
I'm currently learning Rachmaninoff op.39 no.3 and I was feeling the same thing. The problem is it's flexing certain muscles that aren't that built up yet. What I did to overcome it was make sure I stay loose and repeat it and practice the technique slowly and build up to a comfortable speed.
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"My advice to young musicians: Quit music! There is no choice. It has to be a calling, and even if it is and you think there's a choice, there is no choice"-Vladimir Feltsman
nanabush
PS Silver Member
Sr. Member
Posts: 2081
Re: Scriabin Etude op.42 no.5
Reply #2 on: September 30, 2009, 03:03:18 AM
Slow = great advice.
I have a book of his etudes, and I looked through this one. I got pretty comfortable with the last page (it's my favorite part; the dramatic climax there is crazy!). Make sure you are getting all the notes at a slow speed, and move it up bit by bit. Don't go too quick into things, you may be shortcutting some notes, and leaving out some of those repeated bits.
The second page is psycho though... definitely go slow.
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Interested in discussing:
-Prokofiev Toccata
-Scriabin Sonata 2
lontano
PS Silver Member
Sr. Member
Posts: 419
Re: Scriabin Etude op.42 no.5
Reply #3 on: October 10, 2009, 03:22:36 AM
I'm certain this won't help your tension, but listen to Horowitz play this and what he does with the 2nd iteration of the theme where he plays it all non-legato, to great effect. How this differs from all other performance practices, I don't know.
Good luck.
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...and she disappeared from view while playing the Agatha Christie Fugue...
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