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Topic: slow practice with bigger movements?  (Read 1924 times)

Offline nodb

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slow practice with bigger movements?
on: February 20, 2010, 10:20:31 PM
When i practice in a slower tempo, my movements are bigger.
Isn't that bad for the motor memory in the real tempo?
Who can help me? Thanks a lot.

Offline go12_3

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Re: slow practice with bigger movements?
Reply #1 on: February 21, 2010, 12:15:52 AM
Humm, what are you moving?  Your arms, your body, your head?  I mean
playing fast or slow shouldn't have too much movement afterall, only the fingers
moving , in my opinion.
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Offline birba

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Re: slow practice with bigger movements?
Reply #2 on: February 21, 2010, 07:46:00 AM
I think it was Cherkassy who said once, you have to "choreograph" your movements.  He meant, when you practise slow, exaggerate the movements of the wrist and arms and body, in general.  On the contrary, this isn't bad for the motor memory.  It imprints the movements into your body.

Offline nodb

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Re: slow practice with bigger movements?
Reply #3 on: February 21, 2010, 01:18:41 PM
Thanks, ... i was not 100% sure about this, because big armmotions in a slow tempo are not possible in a fast tempo. They will be there in a reduced form (??)

Offline birba

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Re: slow practice with bigger movements?
Reply #4 on: February 21, 2010, 04:40:50 PM
There you have it!

Offline sorcerer88

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Re: slow practice with bigger movements?
Reply #5 on: March 06, 2010, 11:42:08 PM
aren't there different approaches to this? i think i don't put much emphasis on how i move and remembering that, but the movement itself and what i play, makes it easy for me to learn.

Offline slow_concert_pianist

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Re: slow practice with bigger movements?
Reply #6 on: March 10, 2010, 01:33:51 AM
When i practice in a slower tempo, my movements are bigger.
Isn't that bad for the motor memory in the real tempo?
Who can help me? Thanks a lot.

I have recently been pulled up on this by my current professor. Exagerated movements don't help you play better, they simply impede simplicity. The art of performance to present breathtaking technique "effortlessly". Therefore simplicity is the key to the absolute.
Currently rehearsing:

Chopin Ballades (all)
Rachmaninov prelude in Bb Op 23 No 2
Mozart A minor sonata K310
Prokofiev 2nd sonata
Bach WTCII no 6
Busoni tr Bach toccata in D minor
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