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Topic: Chopin Nocturne Op.48 No.1  (Read 4778 times)

Offline miken49

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Chopin Nocturne Op.48 No.1
on: May 24, 2010, 09:04:06 PM
My recording of the very famous nocturne.
https://www.box.net/shared/tzn8zc3m33
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Offline rachfan

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Re: Chopin Nocturne Op.48 No.1
Reply #1 on: May 25, 2010, 01:36:06 AM
Hi miken,

I prefer the sound of acoustic piano to e-piano, but that aside, I believe you you served Chopin well and convincingly here in expressing the lyricism and the fiery drama of this nocturne.  Fine playing! 
Interpreting music means exploring the promise of the potential of possibilities.

Offline birba

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Re: Chopin Nocturne Op.48 No.1
Reply #2 on: May 25, 2010, 12:41:43 PM
Personally, I can't listen to this.  There's something about the sound that just grates my nerves.  To me, it doesn't even sound like a piano.  There's no legato - they're all detached notes that sound like "ping" - for all I know, it could be programmed computer "music".  The only thing I can say is that it sounds note perfect - from what I heard.

Offline miken49

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Re: Chopin Nocturne Op.48 No.1
Reply #3 on: May 25, 2010, 02:43:59 PM
Yea I should have given a warning. I honestly can barely stand the sound of a digital myself I"ll see if a can make a recording on an acoustic.

Offline miken49

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Re: Chopin Nocturne Op.48 No.1
Reply #4 on: June 14, 2010, 01:07:01 AM
Rerecorded with acoustic piano. ;)

Offline birba

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Re: Chopin Nocturne Op.48 No.1
Reply #5 on: June 15, 2010, 05:07:34 PM
There were some beautiful moments here.  And you handled that difficult coda quite well.  It's so hard to keep those accompanying chords light enough even though the whole section is basically forte.  I think the octave section can be more rythmical.   I don't hear the triplets.  And it's vital to this pulsating build-up. 

Offline miken49

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Re: Chopin Nocturne Op.48 No.1
Reply #6 on: June 17, 2010, 07:48:26 PM
*throws hand up* Alright you caught me I sunk as low as to use the big build up for an octave show off section instead of logically building the piece.(please don't hurt me)
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A Life with Beethoven – Moritz Winkelmann

What does it take to get a true grip on Beethoven? A winner of the Beethoven Competition in Bonn, pianist Moritz Winkelmann has built a formidable reputation for his Beethoven interpretations, shaped by a lifetime of immersion in the works and instruction from the legendary Leon Fleisher. Eric Schoones from the German/Dutch magazine PIANIST had a conversation with him. Read more
 

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