Pletnev in Thailand might be said to have something of a precedent in Cherkassky in the same country and for reasons that may not be dissimilar apart from the arrest and charging of Pletnev, but the notion that their piano playing in both cases and conducting and transcribing in Pletnev's is somehow directly devalued by such allegations, even if ultimately proven, seems to me to hold little credibility; given that, for obvious practical and logistical reasons, it is hardly possible, let alone likely, that anyone will commit acts of rape, buggery, etc. while playing the piano, conducting or composing, the separation of the musical activities from the non-musical ones seems plainly obvious. Wagner and Chopin were anti-Semites, yet we still listen to their music and respect their creativity profoundly. The example of Britten surely needs in any case o be countered by others of composers who appeared to have a fondness for children of the opposite sex if one is to present a balanced view of such circumstances but, even then, what will this tell us about the content of their respctive musics?
Best,
Alistair