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Whose interpretation of chopin waltz do you like the most?

Arthur Rubinstein
0 (0%)
Vladimir Horowitz
0 (0%)
Dinu Lipatti
0 (0%)
Vladimir Ashkenazy
0 (0%)
Krystian Zimerman
0 (0%)
Martha Argerich
0 (0%)
Other (please specify)
0 (0%)

Total Members Voted: 0

Topic: chopin op 62 no 2  (Read 4534 times)

Offline nadonguri

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chopin op 62 no 2
on: August 04, 2010, 11:39:07 PM
I have difficulty playing bar 4, 5, 8, and 9 right. I've recently listened to Rafal Blechaz's version on Youtube. It's just amazing how he plays it so graciously. Can anyone give me some tips how to play those parts well? Thanks!

By the way I've reset the poll coz I've made some mistakes when I posted it.
This is my first time posting a poll so please don't criticise it too much. I'm a big fan of chopin's music so I'm just curious to know whose interpretation of chopin waltz you guys like the most.
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Offline gyzzzmo

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Re: chopin op 62 no 2
Reply #1 on: August 05, 2010, 05:58:16 AM
By having better technique in general, you can play things more controlled and fluently. So there isn't really any specific advice but just to play and practise more ;)

Gyzzzmo
1+1=11

Offline faulty_damper

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Re: chopin op 62 no 2
Reply #2 on: August 05, 2010, 11:06:45 PM
Do you mean Op. 64 no. 2, Waltz in C# minor?  Why do you have a poll indicating waltz?

Offline nadonguri

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Re: chopin op 62 no 2
Reply #3 on: August 06, 2010, 10:01:45 AM
Do you mean Op. 64 no. 2, Waltz in C# minor?  Why do you have a poll indicating waltz?

Sorry about confusion. I've reset the poll. Thanks.

Offline nadonguri

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Re: chopin op 62 no 2
Reply #4 on: August 06, 2010, 10:05:30 AM
Yes.. That's so true.. Anyway I think I'm getting better. Thanks.
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Piano Street Magazine:
Women and the Chopin Competition: Breaking Barriers in Classical Music

The piano, a sleek monument of polished wood and ivory keys, holds a curious, often paradoxical, position in music history, especially for women. While offering a crucial outlet for female expression in societies where opportunities were often limited, it also became a stage for complex gender dynamics, sometimes subtle, sometimes stark. From drawing-room whispers in the 19th century to the thunderous applause of today’s concert halls, the story of women and the piano is a narrative woven with threads of remarkable progress and stubbornly persistent challenges. Read more
 

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