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Topic: 2010, October 22nd  (Read 2147 times)

Offline Derek

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2010, October 22nd
on: October 30, 2010, 03:34:27 AM
Okay, back to the piano if only briefly. Hopefully I'll record a bunch more sometime soon.  :)

Offline jbmorel78

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Re: 2010, October 22nd
Reply #1 on: October 31, 2010, 12:21:53 PM
A pleasure to listen!  Without implying that you sound like anyone else, I must say that at times your music reminds me of Mr. Jarrett, whom you cite in your signature, as well as the Australian composer Carl Vine.  Looking forward to hearing more!

All the best,
JBM

Offline Derek

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Re: 2010, October 22nd
Reply #2 on: October 31, 2010, 06:32:34 PM
Thanks. I like Jarrett a lot. I never consciously try to imitate him, just as I don't think he ever tried to consciously imitate any number of other musicians that he admired, lol. I didn't think this particular recording sounded Jarretty, really. Interesting. This one was made as an interlude in my current clavichord obsession. Have you heard Jarrett's Book of Ways? Really cool stuff.

I haven't heard Carl Vine...got any links you'd like to share?

Offline chopinatic

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Re: 2010, October 22nd
Reply #3 on: November 01, 2010, 05:12:33 PM
Powerful stuff derek, nice to see another piano post from you! how is your clavicord ventures going?

Offline Derek

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Re: 2010, October 22nd
Reply #4 on: November 01, 2010, 07:44:40 PM
The clavichord is my main musical occupation at the moment. I posted 4 more pieces in the "clavichord experiments" thread. I'm going to keep putting future clavichord recordings in there, to avoid spamming this forum which is supposed to be for piano players =) Sad thing is, I think some of the only receptive ears on the internet are in this little community right here. I feel quite alone playing it =)
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The piano, a sleek monument of polished wood and ivory keys, holds a curious, often paradoxical, position in music history, especially for women. While offering a crucial outlet for female expression in societies where opportunities were often limited, it also became a stage for complex gender dynamics, sometimes subtle, sometimes stark. From drawing-room whispers in the 19th century to the thunderous applause of today’s concert halls, the story of women and the piano is a narrative woven with threads of remarkable progress and stubbornly persistent challenges. Read more
 

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