What about the 24 Preludes, Op. 28? Some of them, like the A major, have become hackneyed student pieces, but the entire set played as a whole makes sense as a musical unit.
If you can get a recording of Jorge Bolet's 1974 Carnegie Hall recital on which he played the preludes, it will blow you away. When I heard his B-flat minor prelude, I thought my ears were deceiving me. And he handles the soft bass pedal tones on the last page-and-a-half of the A-flat prelude like no one I've ever heard. He apparently captures each one with the sostenuto pedal.