Wow, tough crowd!
@pianisten1989: Keep in mind that the $15,000 has to include not only the cost of creating a new edition of the score and producing a studio recording, but also the cost of manufacturing and shipping several hundred CDs and scores. I've discussed the pricing of Kickstarter projects in general here:
https://www.opengoldbergvariations.org/planning-kickstartercom-project-how-high-set-goal@richard black: There is no edition of the Goldbergs which can be opened up in a music notation editor as far as I know. Any edition that you can find on sites like IMSLP are scans of out-of-print editions, usually overs 70 years old, where all copyright has expired. Whether
you need this or not I can't say, but I'm fairly certain it is a unique proposition.
I'm a bit surprised that the idea of a modern recording in the public domain isn't interesting to anybody. Maybe it wasn't clear from the video that it will be a work that anybody can legally download and own, and use in any context or derivative work, without the need to ask permission or worry about getting DMCA takedown notices.
Furthermore, I'm surprised that the $15,000 fund raising achievement is not impressive to you as fellow musicians. How many times has the state of support for classical music been lamented? How many sob stories have been told about funding being cut, programs curbed, and musicians unable to start new projects for lack of money? Isn't it interesting to you at all that the Open Goldberg Project is able to generate the support that it has? Don't you wonder even a small bit if there are lessons to be learned for funding other projects?
Anyway, skepticism is healthy, and I don't intend to take up anybody's time with something that they're not interested in. But we're still going to make an amazing recording of the Goldbergs, and provide a clean edition of the score that can be edited, played on iPads, exported to MIDI, transposed, extracted to parts, and embedded in web pages.
Best regards,
-Robert