Your technique doesn't live up to your musicality. I have listened also to your Campanella. I really rarely listen to
any Campanellas anymore!!! Because most renditions of this piece just make me cringe. But your's somehow moved me because there are relly beautiful moments in it
But really there are many things that you could only work out together with a real teacher, of course!!
Like the proper use of the syncopated pedal, for instance! I think you have never learned how to use the pedal at all!!!
But first of all, I think that you have loads of tension in your wrist and also in your fingers! This needs to be resolved, as soon as possible! There is just NO WAY you could continue like this!!
It's most clearly hearable and visible in your video of Comptine d'un autre été. This sounds tense and mechanical, and it also looks tense and mechanical! And this is a technical problem which you can only resolve together with a good teacher, step by step!
Regarding Liebestraum: If I was your teacher, I probably would let you sing the melody first, and I strongly recommend to listen to the vocal version as well! The melody gets always interrupted by the "pianistic" stuff! Let the melody unfold and let the pianistic stuff, like arpeggios and all that, just group itself around the melody! The melody is the queen, you know? She might not be really amused if she always has to wait for the last note of an arpeggio to appear before she can sing her guts out!!
