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Topic: Chopin - Nocturne Op 27/1  (Read 1758 times)

Offline quantum

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Chopin - Nocturne Op 27/1
on: July 29, 2011, 05:11:04 PM
Here are two contrasting interpretations of the Nocturne Op 27/1.  They were played in very different situations. 

July 6 was a rather informal gathering of professional musicians.  The piano is a very nice C. Bechstein.  I don't know the model number but it was approximately 7 foot with ivory keys.  This piano has got lots of character.  The bass end tends to project a lot more then the treble.  For this kind of piece you really need to thump out the RH.

July 17, this piece was used as a communion voluntary.  Piano is a Heintzman 6 foot. 


Made a Liszt. Need new Handel's for Soler panel & Alkan foil. Will Faure Stein on the way to pick up Mendels' sohn. Josquin get Wolfgangs Schu with Clara. Gone Chopin, I'll be Bach

Offline pianowolfi

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Re: Chopin - Nocturne Op 27/1
Reply #1 on: July 29, 2011, 08:39:33 PM
Interesting! Of course I anyway know and hear that you are a really great musician, so I rather just listen to what you have to say, in both interpretations and situations, instead of posting a pathetic "critique" :)

Somehow I think that in the second situation you might have felt challenged more than in the first. To me it seems like if you play such a piece for a communion you're entering into a sort of competition, as playing (and listening to) a piece of this kind is anyway a communion of it's own.

Offline rachfan

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Re: Chopin - Nocturne Op 27/1
Reply #2 on: July 30, 2011, 12:40:28 AM
Hi quantum,

Very nice playing!  I think you captured the poetic essence of this very atmospheric nocturne.  I enjoyed hearing it, and it sounded as though your audience of musicians was enthusiastic too.

I would bet that that Bechstein with its ivory keys was quite old.  Jorge Bolet used to play and record using Bechstein quite often in his time.

David
Interpreting music means exploring the promise of the potential of possibilities.

Offline quantum

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Re: Chopin - Nocturne Op 27/1
Reply #3 on: July 30, 2011, 08:24:02 AM
Thanks for listening Wolfi and Rachfan.  

Wolfi, it is interesting of what you mention about using the piece for communion.  In a manner I did feel a challenge about certain aspects of adapting the piece to the situation.  I like how you describe presence of two co-existing communions.  It's something I must ponder.  On a different perspective, there are elements of the piece I discovered because of this scenario.

David, indeed it is an old piano and has the battle scars to prove it.  With a little bit of work I think it still has many years left in it.  Nevertheless, it is so much of a joy to play and listen to.  
Made a Liszt. Need new Handel's for Soler panel & Alkan foil. Will Faure Stein on the way to pick up Mendels' sohn. Josquin get Wolfgangs Schu with Clara. Gone Chopin, I'll be Bach
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