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How Many Hours Should You Practice the Piano? – The Lines Between Science, Method and Passion

It is a timeless question, a persistent voice in the mind of every pianist: “How many hours must I practice to truly improve?” It springs from a perfectly legitimate desire to measure the commitment required to transform our ambitions into sound, whether that means playing a simple minuet or dreaming of the world’s most prestigious stages. Giulio Cinelli from Pianosolo.it guides us through this classic topic. Read more

Topic: Beethoven Waldstein Sonata - octave glisssando  (Read 2409 times)

Offline trioelegiaque

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Beethoven Waldstein Sonata - octave glisssando
on: April 13, 2012, 01:41:20 AM
Barenboim demonstrated an ingenious way of playing the octave glissando in the 3rd movement, both hands playing scales!

it is so smart, no more hurting thumb nails!

Offline furiouzpianist

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Re: Beethoven Waldstein Sonata - octave glisssando
Reply #1 on: April 13, 2012, 01:44:13 AM
yep, that is what I do.

Offline birba

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Re: Beethoven Waldstein Sonata - octave glisssando
Reply #2 on: April 13, 2012, 05:25:24 AM
Barenboim demonstrated an ingenious way of playing the octave glissando in the 3rd movement, both hands playing scales!

it is so smart, no more hurting thumb nails!
Are you sure you aren't talking about the Bulow edition?  That's as old as the hills.  But the effect of the glissandi is incomparable.
 

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