I enjoyed seeing you enjoy what you are playing ... You are passionate and enthusiastic about your craft, which is great!
I wanted to make a small note on your "movement" that others were commenting on, as I remember that when I first learned this piece, my peers criticized me in the same manner the members of this forum have you. Try to remember that while movement can aid a performance, it can distract as well. If your movements have definitive purpose, meaning you can justify why you are moving your body in a particular way at any given time in your performance AND it furthers your interpretation, then move! But I do see a few body movements here that could be more effective as stillness.
You noted that you wanted to make this piece a "little more fatal" .... Perhaps moving toward death isn't always so rhythmic, so active as your body would suggest? Some of the times I feel most in tune with my own mortality are those when I am entirely still, enveloped in silence.
Maybe play around with movement a bit. Vary the story your body is telling us visually up a bit. Right now the range of emotion you are exhibiting physically is not what you are feeling while you play, I can guarantee that. Remember that performance is a lot about perceptions and
accurately conveying whatever message/story you aim to tell.
Thoughts? I noticed you haven't posted back to anyone, and I hope you weren't scared off, haha

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