Just curious, because i read on this forum many times that Marc-Andre Hamelin has the best technique ever.
Horowitz's technique suffered terribly as a result of his death. Hamelin has the advantage of still being alive, so his technique is currently better.
Well, that's as effective an attempt as any to encourge the closure of this thread which has no business being here in the first place; there is no answering those questions seriously, as some of us here know and appreciate.Best,Alistair
Another very effective way to let these threads die is to not comment. A less effective way is to write how effective an attempt was, since the attempt will be completely useless if someone comments on it.
Ali's stairs.
Then who has better technique, Kissin or Hamelin?
It doesn't matter because Kissin isn't half the pianist that Hamelin is, whether you want to talk about technique or not. Hamelin also doesn't still live with his mother.
Kissin lives with his mother because piano is the only thing he cares about. Come on, dont judge a pianist by his personal lifestyle. And tell me, why do you think Hamelin is more than twice the pianist than Kissin?
Because Kissin sucks.
How does he suck? What aspect of his playing sucks? Explain please
His lack of emotion and his love of fortississississississimo. His interpretations are merely pounding away technically perfect pieces that are at a constant loudness
Can we kill this garbage?
Hamelin has much more access to music than Horowitz ever did, so one would assume that Hamelin has gone through a lot more technique than Horowitz because of that. Just like when you compare a tennis player from the early 20th century to today, the equipment, training etc where all different. Thus today they are much better.This is only talking about technique nothing to do with how lovely each player plays and which one is better. Technique is easy to measure because we can simply look at the music that these two have experienced and then come to some conclusions as to which one has a "greater" technical experience, not that it means much anyway.
Yes, maybe he loves fortissississississississississississississississimo very much, thats his personal taste. Does that make him a less good pianist? Why?
Hamelin, Cziffra, Katsaris and Fiorentino are a couple leagues above Kissin, IMO. Pogorelich, Libetta (young), Gavrilov (young), Zhukov and Pollini in there, as well.
Well the more fortissisisisisiiisisisisisisisisiisiisissisisisisisisisisiisisisisisisisisisisisisisimo you play, the less effective your climaxes are. He plays forte the whole time so his rendition of this Scriabin etude sounds flat. And we both know that a flat interpretation for a romantic piece is NOT good. There's always a big climax in romantic pieces, which Kissin didn't execute at all. I'm not saying Kissin is a bad pianist, but I think his playing is too flat.
Hamelin is mechanically superior but sometimes his playing is less interesting than the shipping forecast.
Not heard anything since the destruction of the Rubinstein 4th.Anything of late you would suggest??