So good to see some media from ppls here
So i dont care if it is grade 1 or 100 its all great good awesome!
Of course you want the critic, because you have probably heard people giving you praise all the time. here is what i listened to and think (if i had to be critical). Overall its amazing, so i loved listening to it. And in recordings we never play our best anyway, so
Variations sur carmen on the upright, it looks like it is eating away at ur energy trasfer. It can't suck up enough, looks like you physically forcing big sounds because the instrument doesnt seem to react well enough. That reduces the effect of accented notes, they just dont seem to have enough bite.
Length of longer notes just vanish and you cant hear them, the crisp accent that should be natural at the peak of arpeggio runs aren't projected/accented enough.
Variations sur Ruslan & Ludmilla. When the Rh runs (seconds:22-25 and 28-31), it just seems like you need a lighter RH touch. Also this is important so that after the second 31 when you move into the next section it makes more sense, rather than just the same quality of sound traveling between the two parts. The control of touch doesnt seem to make the progression into the other sections sound logical and obvious. Sounds like someone speaking sentences without full stops if that makes sense.
Etudes N°12op.25 (Left Hand): Arm seems to me to move up and down a little excessively when running up arpeggios need to be refined slightly it may give you overall better controll/balance (cos i kept feeling that you should hold onto the piano or something with the other hand
).
More length in the singing notes especially as you come to climax. Tempo is ok, but can be faster of course and i think held back the slightest to give this more length to the big singing sections.
Oh the Chopin Nocturne was beautiful *sniff* lol
Topic: Updates 11/03/2005 New Piano Vidéo "alla turca volodos"