The outer movements of Gaspard sure have lots of notes, but its more like "o fly my fingers, let the finger memory do all the work". It sure needs alot of pianistical experience with technique, but when I tackled this piece, it was no longer an issue to me at all (Although the Scarbo sometimes demands a bigger hand...) My biggest issue was the musical idea in Le Gibet, while keeping the "knell" sound there in a silhouette.Good luck with this monster, Its an awesome piece full of melancholy and was Michelangelis warhorse.
This is good to see.. I really like these kinds of threads where you get to take a peek into anothers practice habits/thoughts/methods..Is there any chance we can see short videos? excerpts from troublesome spots and such?I'd join you if the rach wasn't so much of an all consuming beast.
Can't wait to hear it!
I'm afraid to say you'll be waiting for a while.
At least I'm assured I'll be hearing you play. Good luck. So, my project. hmm. I have a long break and I will not have a piano to practice on. So I guess my project is practicing my piece without the piano. Ha ha ha. JL
Would love to hear your rendition of Ondine. Looks like I will be asking you questions! I am out of town and mostly out of touch until mid January. Let me know when you have a recording though!