Yeah that's basically what I mean, I mean her motion is a little more exaggerated than what I would say but I mean that's just how her hand moves and it works for her... but yeah that's sort of the basic idea.
I mean I said before in that post (eons ago) about the directness of his attack being the main issue really, with the idea of the stroking motion diminishing the effect on the tone by the noise of the keys and action. Basically to make the note more sonorous and less percussive, as just the sound of your finger, nails, and the hammer slapping can have a huge effect on the tone, so softening the overall attack while still maintaining good volume gives a much more sonorous tone.
That was what I was trying to get across to Brendan, but I mean, I feel that a lot of the time advice is given in more abstract musical terms, and tbh if the person is capable of actually following the ideas of tone colour etc, they're not going to be playing the way they are in the first place.
So yeah, I used the cat stroking analogy, which is the one I was told and I always thought it was rather apt.
Apparently I was wrong though.
Also to dispel cmg's hyperbole once and for all, here's the direct quote from that thread.
Also I think it would be unfair to bring up the old ones because well... yeah. I mean Mitsuko Uchida was beautiful as a young woman but obviously she is now a senior citizen, you can't really fight the ravages of age no matter the level of your inherent beauty.
Make of it what you will, but it was definitely not quite what they would have you believe. Also obviously not deleted for being too offensive, since I found it just now. :rolleyes: