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Topic: Music From Shine  (Read 1539 times)

Offline cabbynum

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Music From Shine
on: February 03, 2013, 07:32:50 PM
Hi everyone, this has been driving me crazy in the movie shine. The scene where he is about to do the big competition where he does not win and he is soaking his hands in the warm water. The other pianist comes up the nod to eachother. THen the other pianist hits some chords descending. I know i have heard that piece somewhere and it is driving me crazy
if it helps, the scene starts at 38:31

Please help, and if im in the wrong section of piano street I am very sorry.
Just here to lurk and cringe at my old posts now.

Offline p2u_

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Re: Music From Shine
Reply #1 on: February 03, 2013, 07:42:22 PM
the other pianist hits some chords descending. I know i have heard that piece somewhere and it is driving me crazy

That's the intro to Robert Schumann's famous concerto in A minor, op. 54.


Paul
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No more pearls before swine...

Offline cabbynum

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Re: Music From Shine
Reply #2 on: February 03, 2013, 07:51:44 PM
Thank you so much!
Just here to lurk and cringe at my old posts now.

Offline chopin2015

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Re: Music From Shine
Reply #3 on: February 03, 2013, 07:58:02 PM
Did paul get it right? Id love to check it out!  Thanks
"Beethoven wrote in three flats a lot. That's because he moved twice."

Offline p2u_

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Re: Music From Shine
Reply #4 on: February 03, 2013, 08:20:05 PM
Did paul get it right? Id love to check it out!  Thanks

Since Paul is getting older every day, you'd better check it out... ;D
P.S.: In Russian, you should look for: Blesk - smotret'... ;)

Paul
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No more pearls before swine...

Offline chopin2015

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Re: Music From Shine
Reply #5 on: February 03, 2013, 09:50:47 PM
Sweet! Got it...
"Beethoven wrote in three flats a lot. That's because he moved twice."
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Toward the Flame: Boris Petrushansky’s Journey Through Scriabin’s Universe

Alexander Scriabin died in April 1915, at forty-three, of a fever that took him within a week — leaving his great mystical project unfinished. He left behind a piano language no one had spoken before, one that a century later still questions every interpreter who approaches it. Boris Petrushansky has spent a lifetime preparing his answer. In a new album and an extended conversation with Piano Street, he traces Scriabin’s path from the early Preludes to the final, shattering Op. 74. Read more
 

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