The MapI. Grand musical designII. Harmonic geographyIII. Flow of rhythmic energyIV. Melodic/thematic ideas and their transformation.V. All performance markings.The Territory: Realizing the music as performanceI. Choreography that physicalizes the harmonic and rhythmic flowII. Choice of gesture to realize tone qualityIII. “Spotting” to keep the larger piano terrain in sight as you play.IV. Remembering your decisions
Shouldn't this thread be called "how to apply synthetic pseudo intellectual labelling to practical issues, in a way that will not help you to play the piano"?
Not that i'm holding out a lot of hope, but you could at least let him/her try to elaborate before you call BS.