I am learning the third libestraum from Liszt. I am doing fairly well until now (not inclusive haha).
In this passage, it makes something that sounds strange to me. It's in the 2nd and 4th bar - left hand.
The second note is a D (Re) bemol. And the 6th and 8th notes are... That's the question. D (Re)? Or D (Re) bemol?

Liszt used to put every bemol and sharp in every note it required, even when it was unnecesary for existing one before...

In the second image i have another doubt. It is, this time, with C. C bemol, or just C? In the 3rd note we have C bemol, and the pattern makes logic a natural C at the 9th note... but it hasn't a natural!!! and the rest of notes, when required, has... and with G happens the same after some notes, in that bar. And it's not a typingmistake because when the same pattern happens afterwards with C again, it happens in the same way. And with G... but, however, does'nt happen with the left hand... What's happening here?!?!
Should I read it just following the 'reading-rules'? Or should I choose the pattern i consider more natural to me, and kick Liszt (or whoever evil typewriter) away? xD
Many thanks!!!!
