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Topic: Metronome on the Ballades?  (Read 1641 times)

Offline chopiabin

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Metronome on the Ballades?
on: November 07, 2004, 08:51:49 AM
When I work on Chopin pieces like the nocturnes, I normally don't use a metronome because I feel that the rhythm should be somewhat flexible and responsive. Does this make sense? I'm semi-working on the 3rd Ballade and was wondering if I should use a metronome on it or just count the note values in my head. Any help?

Offline jlh

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Re: Metronome on the Ballades?
Reply #1 on: November 08, 2004, 05:30:39 AM
You probably don't need a metronome, but definitely be able to count while you're playing.
. ROFL : ROFL:LOL:ROFL : ROFL '
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Offline faulty_damper

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Re: Metronome on the Ballades?
Reply #2 on: November 08, 2004, 09:28:17 PM
I don't think a metrenome should be used in any kind of music except for John Cages music where the ticking metrenome is the music.

But really, the use of a metrenome almost destroys all musical expression techniques leaving only variances in dynamics to enhance the music.  In order to play music at it most expressive you must have a tempo that is in constant flux, even with Bach or Mozart.  With Chopin, many people think because it is romantic that it must be played always rubato but then they go over board and the tempo wanders and wains.  This is when a metrenome can help.

Offline jlh

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Re: Metronome on the Ballades?
Reply #3 on: November 09, 2004, 07:09:27 AM
With Chopin, many people think because it is romantic that it must be played always rubato but then they go over board and the tempo wanders and wains.  This is when a metrenome can help.

That's what I meant by saying you should be able to count while you're playing -- that way, you don't go overboard. :)
. ROFL : ROFL:LOL:ROFL : ROFL '
                 ___/\___
  L   ______/             \
LOL "”””””””\         [ ] \
  L              \_________)
                 ___I___I___/
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