Just something to add...What does everyone think of the Bach toccatas...nice, awful, hard, overplayed, underplayed???
I am currently tackling Bach's Toccata in C min BWV 911. I have basically got the work learnt the whole way through BUT on the first note there is a lower mordent over a C with no natural under the mordent (ie one would think it is to be played c b flat c) through the rest of the bar there is a B natural and my teacher and I just can not decide wether to play the note as a B or B flat.I love these seldom played Bach (the Fsharp minor 912 is also beautiful) works but this tiny issue is driving me around the bend. I have listened to multiple recordings, some play it with a B and others a B flat.suggestions anyone?
it's H! (there is no such thing as "b flat"). h natural, definitely. (i've seen more than one edition when i studied it)
Ah, but I think you have them reversed. The German "B" refers to "B-flat," and their "H" refers to our "B."
b is b (si bemol) and h is h (si natural). as simple as that.
some countries don't use "H".
https://www.pianosociety.com/index.php?id=47koji (STSD)
Every country where English is the primary language, I would think. Ask a musicologist for the rest. David
please stop making fun of me for using the correct german system. thank you.
thanks for the link - impressive performance! just one question: the ornaments in the fugue - are these from a certain edition or do they belong to you?i particularly liked the adagio section of the toccata, i was very well crafted performance
Hi DMK,BWV 911 is a great piece! In response to your mordent question m1 beat one the notes should be C- B natural C. Notice that Bach is not only outlining Do-Ti-DO but setting up the Dominant G Major modulation for m12. Cross realtionship modalities do exist in Bach of course but I don't think a Bb can be justified here at all. The most famous cross modality is in The Italian Concerto, Andante, measure 10... B C# D C Bb A in the melissma. This sounds shocking and even 19th century editors found it unforgiving on the ears!An excellent urtext version (and cheap too! $9.95 US) is published by Konnemann Music Budapest and distributed by Mel Bay. Contains spurious versions, including early and ornamented versions of various works. The pages are clean and there is an excellent anotation in the back of the book!quixoticcafe
Konemann had been placed in liquidation, but apparently they're back in business!For the Toccatas I have Bärenreiter which I like very much.
I have got the Angela Hewitt (Hyperion) recording of these and they are superlative. I would not mind getting another recording (not a Glenn Gould) though....can any one recommend another good recording of the Toccatas??