Thank you all so much for your help...I am loving learning both this piece and the F sharp minor Toccata, they are just beautiful...and I am so pleased to hear that others think these are underplayed in general (I thought it might have just been me!)
my favourite recording is the Angela Hewitt on Hyperion ALTHOUGH...does anyone else find her Presto section of the Fsharp minor toccata a tad slow?
Since making the original post I had started learning it with the B natural, it seemed logical and sounded better, it was one rogue recording of it that put me in a bit of a spin as it was always in my mind to play with the B natural and a friend of mine, who is studying composition, put me off on this (note I am saying B, this is an English speaking forum and it is common parlance to use this system as opposed to the German.....if you are using the German form there is no problem, I think of those at a sufficient level of musicality to play the Toccatas know that both the German and English systems....). I feel more confident now...
thanks for the link - impressive performance! just one question: the ornaments in the fugue - are these from a certain edition or do they belong to you?
i particularly liked the adagio section of the toccata, i was very well crafted performance
I second that, thanks so much for the link Koji, it is a very fine performance of this work, you Adagio section is quite marvellous...congratulations. I have a couple of friends learning this piece and I will definately be e-mailing them the link

Have you played any of the others?
Hi DMK,
BWV 911 is a great piece! In response to your mordent question m1 beat one the notes should be C- B natural C. Notice that Bach is not only outlining Do-Ti-DO but setting up the Dominant G Major modulation for m12.
Cross realtionship modalities do exist in Bach of course but I don't think a Bb can be justified here at all. The most famous cross modality is in The Italian Concerto, Andante, measure 10... B C# D C Bb A in the melissma. This sounds shocking and even 19th century editors found it unforgiving on the ears!
An excellent urtext version (and cheap too! $9.95 US) is published by Konnemann Music Budapest and distributed by Mel Bay. Contains spurious versions, including early and ornamented versions of various works. The pages are clean and there is an excellent anotation in the back of the book!
quixoticcafe
Thank-you so much, i have the Konemann edition of the P&F's, they are cheap and very well laid out. In Australia over the last year we have been told that this publisher has been placed in liquidation (or bankrupted depending on what the case is in the country the company is registered) and so are not priniting any more. I could not find that Toccatas in back supply anywhere so I shelled out the money for the Henle. Does anyone know anything about the status of Konemann or are we completely mad downunder

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