I love this waltz in which I see clearly the originality of your own voice, but not separated from the Austro-German history of the waltz from J. Strauss to R. Strauss (and the general tonal quality of the turn of the 20th century), and not without some of the Liszt Mephisto type pyrotechnics. It boasts a complexity which I imagine would be as satisfying to the performer as it is enjoyable to the audience. Great, great piece! Thanks for sharing with us.
(Not to mention your virtuosity as a pianist!)