Hi j,
OK, thanks for that clarification. Well,the good news is that I've provided renditions for the two "bookend" pieces of Op. 13. So maybe other pianists will want to fill in the pieces in between. I specialize in Late Romanticism, as you know (including Dohnanyi). If a piece is truly achingly beautiful, I'll learn and record it. But if a piece leaves me cold, I won't put time into it. There have been occasions when I have done complete sets, such as the three sets I did for Catoire's music (all are in the Index to Audition Room). To me his music is extraordinary. I felt it was a great honor to play it, as only three people were playing it at the time that we knew of: Marc-Andre Hamelin, Koji Attwood and me. So I was able to play a helping role in recreating the lost performance practices. More often than not, I avoid complete sets because the piano literature is so vast and a lifetime is too short! At my age I'm keenly aware of that. I am flattered that you would want to hear me play the 2-9. But probably others could do better justice to those pieces.
David