. How can I support his teacher in her teaching?
. Should I be in the room when he has lessons?
. Should I enforce practicing or let him practice as he choses?
. Finally, though I offered, his teacher would not let me pay for the first meet and greet and test the waters. How to teachers prefer to be paid? Per lesson, monthly, quarterly?
Thanks everyone!
Every teacher is different when it comes to each of these questions, and these would be great questions to ask any specific teacher you will be working with. I can only answer from my own perspective and experience.
I have been teaching and working with children/individuals in various authority positions (read: MANY) for a total of about 27 years, and while I have not met every single parent of these children, there are very few of them who did not somehow behave differently -for better or for worse- when a parent was around vs. when they were alone with me. From here it breaks off into teaching philosophy and what each teacher is seeking.
I currently believe, and only come to believe more strongly, that the growth of a child/individual must be in direct contact with their own desires, and in the case of music (and maybe all subjects?), their imagination. They *need* to be free to utilize their imagination at the piano, and their ability to do that is a mix between their innate individuality and how they have been taught to behave by family and society. I believe that utilizing their imagination is a large part of what ultimately makes their endeavors fulfilling for them, and ultimately enjoyable for all, but it's an important teaching tool, too.
Working with an individual's imagination as an ongoing teaching tool is a mixture of structured and "non"structured strategies, and the ultimate support from parents comes from appreciating the sometimes fragile lines between those, and being willing to walk that line in conjunction with the goals at hand.
For example, I have an adult student who has been playing for nearly his whole life and who is a regular school teacher, he is a decent player and could theoretically be teaching his young son, but I am teaching his son instead. Father would like son to be a "child prodigy" at all costs (that's a small exaggeration but it's definitely been talked about). Teacher (me), would like to preserve son's imagination first and foremost at all costs, because in this case I have a larger perspective than the father and I am thinking in a different way as a musician than the father. I am thinking about 18 years down the road, and what it's like for child prodigies to be adjusting to not being child prodigies anymore (something I have a different perspective on than the father), and if this student no longer knows how to utilize his imagination, he lost it along the way, has come to despise the piano, what good is that? There is more to it, but with just that there are sometimes things for us to discuss after only a few months of teaching them.
In the case I explained above, I have my beliefs, experiences, and I am willing to work with the parents' desires, but if it comes to a point where I feel I am doing an ultimate disservice to the child, I would not cross that line. In that case, if they disagree with me strongly enough, perhaps they would choose to have a different teacher who is more in line with what they want, and in that case, if I believe I have done what is within my capacity, I would be OK with them moving on. We are so far working together harmoniously though.
So - ask the questions to the specific teacher. Think about what you are wanting. Be prepared to consider different perspectives and find a match that is right for your expectations.