Thanks, ted. There are naturally elements of this which are close to pastiche - I know reasonably to very well four separate paraphrases on themes from this opera and it is hard to avoid subconscious, even conscious, influences. There are places where Liszt's version threatens to burst through! Sonority was a particular concern when writing this, so I'm quite pleased you commented on the sound, which I think is one of the big plus points of the recording. I tried to use certain pianistic textures/effects with specific sonority outcomes in mind. I'm working on other paraphrases just now, but I'm highly selective about them so I have little idea about what final form they will emerge in.