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Piano Street Magazine:
Toward the Flame: Boris Petrushansky’s Journey Through Scriabin’s Universe

Alexander Scriabin died in April 1915, at forty-three, of a fever that took him within a week — leaving his great mystical project unfinished. He left behind a piano language no one had spoken before, one that a century later still questions every interpreter who approaches it. Boris Petrushansky has spent a lifetime preparing his answer. In a new album and an extended conversation with Piano Street, he traces Scriabin’s path from the early Preludes to the final, shattering Op. 74. Read more

Topic: Teaching the singing tone and wrist fluidity to a 6-year old child  (Read 2958 times)

Offline music32

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I observed an inspiring piano lesson at the Special Music School/Kaufman Center in NYC
Teacher: Irina Morozova
https://arioso7.wordpress.com/2014/10/14/a-six-year-old-child-is-awakened-to-the-singing-tone-and-how-to-produce-it/
Grad NYC HS of Performing Arts
Oberlin Conservatory
New York University (Master of Arts)
https://www.youtube.com/arioso7
Blogging at https://arioso7.wordpress.com

Offline m1469

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In your observation, what was the awakening moment for this child?
"The greatest thing in this world is not so much where we are, but in what direction we are moving"  ~Oliver Wendell Holmes

Offline music32

  • PS Silver Member
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The exposure itself to the physical/tonal/musical dimension of piano playing, is an interweaving pedagogical theme. Awakened was more than a fixed moment in time, but rather a steady immersion. I hope this clarifies.
Grad NYC HS of Performing Arts
Oberlin Conservatory
New York University (Master of Arts)
https://www.youtube.com/arioso7
Blogging at https://arioso7.wordpress.com
 

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