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Topic: Why is impossible to play a piece perfect every single time?  (Read 2475 times)

Offline rovis77

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No matter how much you practice

Why is impossible to play a piece perfect every single time?

Offline kevin69

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Re: Why is impossible to play a piece perfect every single time?
Reply #1 on: November 15, 2014, 05:04:41 AM
No matter how much you practice

Why is impossible to play a piece perfect every single time?

I don't think you can ever play anything perfectly, so sometimes you play better than other times.
Practicing may make you more consistent, but not perfect.

Offline vansh

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Re: Why is impossible to play a piece perfect every single time?
Reply #2 on: November 25, 2014, 07:11:27 AM
Humans as biological systems change from one moment to the next. Your physical condition -- hands, head, etc. -- are somewhat different at the biochemical level (how tired you are, how much concentration you're putting into it, etc.) each time you play. Thus, how you play the piece will be slightly different each time. As mentioned above, practicing makes things consistent -- for example, so that the neurons controlling the hands are firing in more or less the same sequence each time -- but even so, it only serves to reduce the difference, not eliminate it.
Currently working on: Liszt's Hungarian Rhapsody 2 (all advice welcome!), Chopin's Revolutionary Etude, Chopin's Fantaisie Impromptu

Offline iansinclair

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Re: Why is impossible to play a piece perfect every single time?
Reply #3 on: November 26, 2014, 11:22:21 PM
And thank goodness for the variation.  Any fool can program a computer to play a piece perfectly, every time -- but it is the variation from performance to performance which makes live music worthwhile.  And -- every once in a while you will have a truly inspired moment (you won't even know until you start playing!) and produce a performance which is truly transcendent!
Ian

Offline j_menz

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Re: Why is impossible to play a piece perfect every single time?
Reply #4 on: November 27, 2014, 01:05:48 AM
For any piece worth playing, there is no one perfect - so if you limit yourself to one way, you're missing the point.

Playing a piece "perfectly" every single time implies safety, and safety and greatness do not mix. Safely is boring. Safely is not a living performance, it's a recording.

I don't mean that you shouldn't get it so the notes are reasonably safe, but if all you are playing is the notes, you probably shouldn't bother.
"What the world needs is more geniuses with humility. There are so few of us left" -- Oscar Levant

Offline quantum

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Re: Why is impossible to play a piece perfect every single time?
Reply #5 on: November 27, 2014, 03:55:27 AM
Any fool can program a computer to play a piece perfectly, every time

I think electronic music deserves more respect that you are giving.  It does indeed take a significant amount of skill to craft good electronic music.  Although it can take on the form of verbatim iterations from performance to performance, that is by no means an exclusive limitation of the genre.

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Back to the topic, IMO it would be quite boring to play the same piece exactly the same every time.  It is those unexpected occurrences that can lead a performer towards an artistic handling of the situation, and thus new and alternative forms of expression which the performer may not have previously considered.  Music can be rendered differently each time, and that is part of the beauty and mystery of the experience: both for performer and listener.

Made a Liszt. Need new Handel's for Soler panel & Alkan foil. Will Faure Stein on the way to pick up Mendels' sohn. Josquin get Wolfgangs Schu with Clara. Gone Chopin, I'll be Bach
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Piano Street Magazine:
A Life with Beethoven – Moritz Winkelmann

What does it take to get a true grip on Beethoven? A winner of the Beethoven Competition in Bonn, pianist Moritz Winkelmann has built a formidable reputation for his Beethoven interpretations, shaped by a lifetime of immersion in the works and instruction from the legendary Leon Fleisher. Eric Schoones from the German/Dutch magazine PIANIST had a conversation with him. Read more
 

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