Piano Forum

Piano Street Magazine:
Argerich-Alink’s Piano Competitions Directory – 2025 Edition
In today’s crowded music competition landscape, it’s challenging for young musicians to discern which opportunities are truly worthwhile. The new 2025 edition of the Argerich-Alink Foundation’s comprehensive guide to piano competitions, provides valuable insights and inspiration for those competing or aspiring to compete, but also for anyone who just wants an updated overview of the global piano landscape. Read more
Pages: [1]   Go Down

Topic: Fingering Liebesleid Kreisler/Rachmaninov  (Read 4163 times)

Offline extroitus

  • PS Silver Member
  • Newbie
  • ***
  • Posts: 15
Fingering Liebesleid Kreisler/Rachmaninov
on: November 22, 2014, 03:39:08 PM
Hi,

Yes, I know... "If you gotta ask, it's no use even trying". Yet, I present my question (there are more of them) regarding fingering in Liebesleid. Please, see sample embedded:



As far as I can imagine, it's more or less unavoidable to end up with 1-5 spanning the octaves av A1 and A2. How do I reach that position and how do I move on?

Is it too amateurish trying to avoid a "double thumb" when no sliding is possible (g to f resp f to e)? I want to let the middle voice sing legato and not pollute it with a spontaneous "double thumb accent". Ideas?
Logged

Offline extroitus

  • PS Silver Member
  • Newbie
  • ***
  • Posts: 15
Re: Fingering Liebesleid Kreisler/Rachmaninov
Reply #1 on: November 22, 2014, 03:41:45 PM
I gather this is a no-no:

Logged
Pages: [1]   Go Up
 

Logo light pianostreet.com - the website for classical pianists, piano teachers, students and piano music enthusiasts.

Subscribe for unlimited access

Sign up

Follow us

Piano Street Digicert
Customer Reviews