Happy clappy modern Christian music, the kind with tambourine, a baritone and a wannabe-pop-singer soprano singing in unison (almost), where every song is in 4/4 time, has four bars to every line, and goes tonic, subdominant, dominant, tonic. Sometimes the odd relative minor thrown in just to prove it's meaningful.
How is it possible that over a couple of centuries, Christian music has gone from Allegri's Miserere, or Mozart's C minor Mass, to that? God gone deaf in his old age or what?
Kathryn